Tickets are available by prior appointment at the Budapest office of Filharmonia Hungary (1143 Budapest, Szobránc u. 6–8.), at the Liszt Academy of Music (1061 Budapest, Liszt Ferenc tér 8.), and online at www.jegymester.hu.
Ticket discounts:
We offer a 10% discount for students and pensioners.
Filharmonia Hungary season ticket holders can purchase tickets with a 20% discount by showing their season tickets! The discount can be applied to one ticket per concert per subscription.
Individual discounts cannot be combined!
We reserve the right to change the programmes, dates, venues, and performances, and ticket prices may change accordingly.
Subscription sales begin on April 2, 2026 (Thursday): at the venue during the concert, and online from 9:00 PM.
We are announcing a prize draw for both new and existing subscribers. Those who purchase their subscriptions by June 23 will be entered into a draw to win 4×2 complimentary tickets to the OrgonaPont concert held in August at Matthias Church.
Subscriptions are available at the Budapest office of Filharmónia Magyarország by prior appointment (1143 Budapest, Szobránc u. 6–8.), at the Liszt Academy of Music (1061 Budapest, Liszt Ferenc tér 8.), and online at www.jegymester.hu.
Subscribers of Filharmónia Magyarország are entitled to a 20% discount on tickets for adult concerts organized and sold by us nationwide upon presentation of their subscription. The discount is valid for one ticket per subscription, per concert.
You can subscribe to our newsletter on our website to receive updates about classical music programs organized by Filharmónia Magyarország, as well as any changes.
We reserve the right to change the program, date, venue, and performers; ticket prices may be adjusted accordingly.
When we say Passion, everyone first thinks of Bach and then of John and Matthew since Bach’s settings of the Passion story based on these two Evangelists’ texts are the ones that have survived. Passions were composed before and after Bach, but these works have kept their „siblings” in the shadows. Bach submitted the St. John Passion as part of his application to Leipzig; it was the first Passion he performed there. He programmed it multiple times, making various changes along the way. In contrast, he carefully finalized the St. Matthew Passion at the end of his life, dressing it in a „ceremonial robe” for posterity. In the St. John Passion, the Evangelist’s recitatives form a unified whole with the arias and choral movements, often following one another without pause. The chorales engage in a sensitive dialogue - not only with each other and Bach’s time but occasionally with the St. Matthew Passion. Bach’s music lends almost theatrical dramaturgy to the biblical events. It’s no coincidence that his Passions bring the story of redemption to vivid, tangible life - regardless of one’s religious belief or denomination.